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| 7 Charlotte St in Sydney, a very typical house |
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| Charlotte Street with sunflowers |
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| Bright Charlotte St house |
Another house was set back from the road farther than the others because it had been moved piece by piece to cover dead bodies in the basement. These were sailors who had been dropped overboard and were supposed to be kept and fed by the owner of the house. He didn’t fulfill his obligation. At the fire station we heard the story of the horse who was retired from pulling the fire wagon and put out to pasture in a fenced field. When he heard the fire bell, he jumped the fence and reported for duty so they let him stay until he died.
We went inside the Jost House which was part store, part home. We saw the 18th century kitchen in the basement with its beehive oven, the main bedroom, parlor (the only times a man was allowed in were when he was hatched, matched and dispatched) and store on the first floor and more bedrooms containing nautical, pharmaceutical and clothing exhibits on the second floor. Our last stop was at the Anglican Church of St George.
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| Jost House |
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| Basement fireplace of Jost House |
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| No men in the parlor |
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| St George's Anglican Church |
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| Interior of St George's |
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Our room was that last balcony, the only room on the ship whose number had an A at the end of it |
Back at the ship for a little food and a This and That game (which category does an item belong to) and salsa lesson. We had some kahlua and cream as we watched. After some room time, we went to a theatre production which was high energy and pretty interesting—though I think the contest angle of it was probably a set-up. After we had some dinner in the buffet—as always mediocre and forgettable. 7211 steps.
Monday. Today we were still in Nova Scotia, this time in Halifax. After breakfast and trivia (11 out of 20) we did a bean bag toss. We left the ship early to see something of the town but there wasn’t anything very interesting around the terminal. We heard later that there was a boardwalk. Oh well.
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| Halifax Nova Scotia harbor |
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Sculpture of Ruth Goldbloom outside the immigration museum |
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A bit of Canadian philosophy at the museum
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The tour (Peggy's Cove and Titanic Cemetery) left a little late but was a good one—probably our favorite. Our guide was terrific (really, the guides make the tour), and we were in the upper level of the double decker bus where we had a good view.
First was a long drive to Peggy’s Cove, a protected area with its wonderful rocky shore (from the Arctic, formed from the movement of the continents when Pangea broke up). The highlight is the pretty lighthouse out on the rocks, but there were also cute houses and shops. We only had 40 minutes there so no time for the shops. The drive there and back was a pretty one with numerous coves and bays.
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| Sign on Mount Desert Island about Acadia NP |
Seventy-seven years ago there was a freak fire which burned almost everything including many summer cottages. Nothing was replanted; nature eventually regenerated. We learned on a trip that included Yellowstone years ago that that is the practice there also. Maybe in all the national parks? Nature is amazing.
Acadia is one of the smallest national parks. Its population is 5200, but they get 3.9 million visitors per year. There are many bears, some moose, lots of white-tailed deer, beavers (there were several beaver ponds) and assorted other animals. One big house along the way was built for a second wife who died on the Titanic before she ever got to the US (odd for an upper class female; she panicked and ran up the ship as it sank).
Thomas Cole painted here. He is a famous American landscape painter whom I was first acquainted with when Glenna did a paper on him. Martha Stewart and Dick Wolff have homes in the park.
The island was formed from glaciers from the northwest. We passed Jordan Pond against the Penobscot Mountain and Bubble Rock which people try to climb. After making the loop around the park, we climbed Cadillac Mountain, the tallest coastal mountain in the eastern US, coastal because its feet are in the ocean. It is also volcanic; its caldera is 10 miles across. We got out for a few minutes to enjoy the views. Nice tour.
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| Bar Harbor home from the bus |
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| And a half-timbered one |
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| Church near downtown Bar Harbor |
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| Bar Harbor's main street |
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| Downtown shops |
Back on the ship we went to Cities Trivia (only got 8—disappointing). This was the night for our first specialty dinner (our package included two). This was Cagney’s Steakhouse where we had a fine meal—Caeser salad, NY strip steak, barley risotto, roll and butter, wine and chocolate mousse cake. Way too much. No show tonight. We stayed in our room to try to keep warm. It is cold! 4833 steps. |
| Rita having salad at Cagney's |
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And now it's the main course--my steak and Rita's shrimp |
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And a ridiculous chocolate cake--for the people next to us, not for us |
Thursday. Last night I was troubled by dreams. I don't usually remember them, but these I did. In one someone was giving me drugs to keep me quiet, and in the other I couldn’t find anyone to eat with either in some outside setting or in some place with all older people. Weird. Rita later told me that I shouted out in my sleep; it must have been then.
Breakfast and trivia (terrible!) and Yahtzee (1 out of 6 for me so far) and then on our excursion on the Boston Duck through Boston and into the Charles River (called Exclusive Boston Duck Tour Experience). For those who don’t know, a duck is a World War II-era amphibious vehicle. Our guide was over-the-top and eventually annoying. He gave us a good bit of Boston history, told some bad jokes and played the ukelele okay. He colored my view of the tour. Thank goodness I have been to Boston before.
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| Our duck |
This tour reminded me that a land tour or, in particular, a cruise is no way to see a country in my opinion. Glenna and I plan our own trips and go about on our own so far as it is possible. I know that not everyone can do that or wants to do that; it is just our bias. On this tour we stayed on the duck the entire time, never getting out to go in any place or explore any area. The pictures are forgettable as they are taken from the window of the vehicle. The best you get are some stories from the guide. Hard to say you have visited such a place or country. But after all that negativity, it is sometimes nice to be on a cruise where you unpack once and have the run of the ship.
Some random facts we learned: William Blackston founded Boston, having come from a previous settlement of two years. At the time it was called Shawmut; when the Puritans came they renamed it Boston after the Yorkshire coastal city from which they had sailed. The first school (Boston Latin) and first hotel were in Boston. Before Dickens came here and introduced a Christmas celebration, it had not been a holiday in the New World. Interestingly much of Boston (and all of Back Bay) is landfill. In Back Bay they sank spruce trees into the mud as a base. The Boston Marathon did not allow women until 1972 though it started in 1897. We heard about the Battle of Bunker Hill which actually took place on Breed’s Hill. Its significance was that, though the colonials lost the battle, they realized that they could fight. They just needed more ammunition. Paul Revere was only one of 40 who rode out on that fateful might, but Longfellow said he could rhyme better with that name than with others. Alexander Graham Bell made that first phone call from a site that now has a Verizon office.
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| A cargo ship that I saw from our ship |
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| The famous kettle at Starbucks |
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| Granary Burying Grounds |
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| View of Boston Commons |
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Nancy Schon's sculpture from the book Make Way For Ducklings-- one of my favorites that we read to Glenna |
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| Terrible picture of the sculpture The Embrace |
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| Boston's Trinity Church |
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| Another view of Trinity Church |
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| The new State House |
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| And the Old State House which came later in the tour |
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| Col Robert Gould Shaw sculpture |
From the Charles River we could see some of the Harvard buildings and Fenway Park (though I couldn’t spot it). It was rather hard to find the places he was talking about. A rather disappointing tour even though we got some good history.
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| Our duck going down into the Charles River |
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View from the Charles River
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| Another so-so view from the Charles |
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| At least this was interesting--the bridge supports |
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| Bridges are very often quite beautiful |
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| And back out of the water |
On the ship we went to airline trivia at which we did terribly. Dinner that night was pretty good—asparagus risotto, white fish, potatoes, squash and creamed spinach. By now we had concluded that the food in the dining rooms was pretty good but the food in the buffet was to be avoided. We decided not to go to a Rock and Roll show. 4387 steps. |
An art auction on the ship which we happened across--and didn't understand. Nothing seemed to be sold even though the auctioneer went through his routine; they were all just set aside to be viewed later.
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Friday. Last full day of the trip was spent in Newport. After breakfast and trivia we started packing before our excursion (called Newport Cliff Walk and Breakers). We lived in Newport for a year when Denny was at the Naval War College (That was our astounding year of all of us being in school—Denny at NWC, me at the University of Rhode Island finishing my MBA which I had started at Georgia Tech, Joce at Purdue, Josh and Jared at the University of Georgia, and 3-year old Glenna at a Newport daycare. How we made it on one salary is hard to fathom.) The year we were there I made it a point to visit almost all of the Newport “cottages”, the incredible summer homes of the Gilded Age’s rich and famous. But I was happy to be back after so many years. |
| Yachts in Newport harbor |
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| And a closer view of a few of them |
After tendering to shore again, we got on a coach and first drove through downtown Newport which is again very New England-ish. The local Preservation group has restored more than 400 pre-Revolutionary War properties. Appealing by my way of thinking. We drove past many fine homes rivaling those of Kennebunk and Kennebunkport. |
| Pretty Newport colonial house |
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| More colorful downtown Newport buildings |
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| Now we get to a mansion |
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| Newport historic building |
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One of the mansions purchased by Salve Regina Univeristy--what a campus |
We got out and took the Cliff Walk for about a mile to the Breakers. Along the way we saw the backs of some of the mansions and surfers in the water. When we lived there, we took the Cliff Walk. If the part we walked is any indication, today the walker is protected from falling down the cliff by a barrier. Back then there was no barrier, and I constantly worried that Glenna would get away from us as 3-year olds can do and fall down the cliff. Actually a couple of years ago a portion of it fell into the sea and is now closed. |
| View of Newport harbor from the Cliff Walk |
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| Ochre Court, one of the mansions along the walk |
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| A map showing the Cliff Walk route |
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| View of a pretty flower and the ocean |
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| Those dots are surfers waiting for the next wave |
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| View of the Breakers from the Cliff Walk |
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| The next-door Fairholme |
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| And the Breakers--front side |
We were on our own at the Breakers, the spectacular Vanderbilt mansion which is considered the finest and grandest of all the mansions in Newport. There was a brochure which explained the principal features of each of the rooms we could visit which I took. And I downloaded an app which I listened to in each room. The mansion was designed by Richard Morris Hunt for Cornelius II, the man who also architected the Biltmore Estate house. The Breakers is an Italian Renaissance palace which was built in three years, finished in 1892 at a cost of $11,000,000 (equivalent to $200,000,000 today). There are 70 rooms but only bedrooms for the family and one for a guest. The commentary said that Cornelius Jr was very unassuming and even taught Sunday School.
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| The spectacular Great Hall at the Breakers |
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| The ceiling of the Great Hall |
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| Breakers Breakfast Room |
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| Marble walls of the Billiard Room |
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| The Morning Room |
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| The Music Room |
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| The Great Hall from the second floor |
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| Mrs Vanderbilt's bedroom |
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| Their shared bathroom |
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| The Upper Loggia looking out onto the ocean |
Staircase at the Breakers
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| View of the basement kitchen |
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| Just a pretty hibiscus at the back entrance |
That evening was our second dinner at a specialty restaurant, this time at Le Bistro. We started with French onion soup which was divine, so much better than the pretty decent ones we had had in the ordinary dining rooms. I had sole and potatoes, roll and butter (more cheating), wine and Baileys. We saw what looked like a delicious and enormous piece of cake but were too stuffed even to think about ordering it or any other dessert. Our server was excellent.
Then it was back to the room to finish packing and get our suitcases into the hall by 10 pm. It was a nice day and finally warm. 6655 steps
Saturday. Departure day. We were in our berth in Manhattan early on a drizzly, ugly day. We were in a line to get off the ship and another to get the bus to LaGuardia, but it was a nice ride through Manhattan.
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| Sailing into New York harbor in the dark |
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| View of Manhattan from the ship |
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The maze of luggage in the terminal, but actually it was quite well organized |
We had loads of time at LGA since we had taken a later flight, not knowing how long the whole experience would take. I had bought a bottle of maple syrup and put it in my carry-on so that it wouldn’t get damaged in my checked bag. I totally didn’t think about the fact that it was a liquid. Needless to say, I came home without any maple syrup.
Rick and Doris met us at GSP. On the way home we saw the devastation caused by Hurricane Helene the day before along Highway 14. Two months later, many streets (including an important one like Hwy 14) still have the cut-up trees sitting on the side of the road. The cleanup effort has been massive but nothing like western North Carolina.
This was another good trip with Rita—not the kind I would always like to take but nice every now and then. We’re already talking about the next one.
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After the grueling early election 12 days and election day I spent 5 days in Washington DC, so I thought I would just add some commentary and photos at the end of this blog. Glenna was going to be in DC from Nov 12-15 and I had really wanted to attend an event on the 12th, so I went up on the 11th and Glenna followed on the 12th. We stayed at a hotel right on Dupont Circle, a great location and a pretty good place.
Monday. After dropping my bags at the hotel, I set off for the Renwick Gallery which is a branch of the Smithsonian’s American Art Museum focusing on craft and decorative art. It is housed in a National Historic Landmark building just steps from the White House. When you walk in, you see the wide, beautiful stairs to the second floor carpeted in red. Very striking.
Downstairs they had an exhibit entitled Subversive, Skilled, Sublime: Fiber Art by Women. I have to say here that both Glenna and I are really getting into fiber arts. For a long time it was considered only craft and done almost exclusively by women. It is coming into its own now as art. On our Venice-Albania trip this summer we spent a day in DC and visited the wonderful and huge Woven History exhibit at the National Gallery of Art. On this trip we saw textile exhibits at three more museums. I loved it.
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| The Renwick Gallery near the White House |
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| The first piece you see. I loved it. |
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| I loved the curves and folds of this piece |
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| Amazingly this piece is made from envelopes |
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I loved the ephemeral-ness of this piece which was made of net |
Since I was so close, I walked down to the White House. They are doing some construction on Pennsylvania Avenue out front so you can get only a glimpse through the fence.
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| The best view of the White House you can get |
Tuesday. Today was the reason I came up before Glenna. I attended The Dispatch Summit at the National Press Club, and what a glorious day it was. I belong to the Dispatch which, as Wikipedia says, is “an American conservative subscription-based and advertisement-free online magazine founded by Jonah Goldberg, Stephen F. Hayes, and Toby Stock”. Center right is how they describe themselves and how I describe myself also. Having known and respected Jonah and Steve in their previous lives, I knew this was the place for me. I have been into politics and current affairs since I was a kid and stayed behind at the grown-ups table at family holiday dinners to listen to them talk politics long after all the cousins had scattered. So when Glenna told me she would be in DC to visit with museum people, I thought I should definitely shell out the $300 to attend the summit a day ahead, something that I have never done before.
I felt so in my element and with people I was sympatico with. This was just after the election, so there was lots of talk about that. Some had voted for Trump, some for Biden and some for neither. But the talk about it was just so stimulating. And this was just at our table!
There were six sessions throughout the day (and wonderful food—breakfast, lunch and cocktail hour)—a panel of Megan McArdle, Mike Warren and Jonathan Martin on the election and what’s next, Sarah Isgur interviewing Judge James Ho on the rule of law, another panel of Mike Gallagher and Ro Khanna on the world, Steve interviewing Mike Pence (who got a standing ovation when he came in—which I took as a measure of respect for how he handled Jan 6), Jonah interviewing Paul Ryan on the future of limited government, and Steve interviewing Steve Case, founder of AOL, on innovation in tech. Just seeing all these people whom I see on TV and hear on podcasts was thrilling. And then I got to talk to Jonah at the cocktail party. I told Glenna it was the most exhilarating day I had spent in I didn’t know how long. I hoped she wasn’t insulted that I was putting that above all our wonderful trips.
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| Jonah kicking off the summit |
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It was hard to get decent pictures and mine are pretty bad. This shows Declan Garvey, Mike Warren, Megan McArdle and Jonathan Martin |
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| Here is Sarah Isgur interviewing Judge Ho |
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| And Steve interviewing Mike Pence |
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| Jonah with Paul Ryan |
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| And Jonah at the cocktail reception |
She came to the Press Club to pick me up, and on the spur of the moment we decided to see if we could get tickets to the opening night (in DC) of The Six, a modern musical take on the six wives of Henry VIII. Full of energy and color. We had fish and chips at a British-style pub, Elephant and Castle, before the show. What a day.
Wednesday. Another reason I decided to go to DC was the opportunity it provided to visit a friend of mine and see her new digs. Diane and I worked together at the Department of Energy and have traveled together and remained friends since I left the area. I took Metro up to Silver Spring where she met me—first to see her new place which I loved and then to go to lunch. It was so good to see her.
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| My friend Diane on her patio |
Back down in DC I met Glenna, and we went to the Textile Museum on the George Washington University campus. It was fun just to be around all that energy. The exhibit was called Irresistible: The Global Patterns of Ikat. Ikat is a dying and weaving technique which began in Central Asia and spread via the Silk Road. With other techniques dyes are applied after the weaving; with ikat the yarns are dyed before the weaving. The part of a yarn that isn’t to get a certain color is tightly tied off before dipping the rest in the dye bath. After drying, more parts are tied off to dye another area a second color. This continues until all the colors are applied. The dying can be applied to the warp (vertical yarns) or the weft (horizontal woven-in yarns) or to both. Imagine having the eventual design in mind at the beginning and figuring out exactly how much yarn to tie off to apply color to another part. It seems unbelievably complicated to me. But the effect is quite beautiful. |
| One of the pieces I liked in the Ikat exhibit |
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| A closeup of another piece |
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The border of a another piece--the red obviously appealed to me |
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Another closeup where you can see the intricate detail that can be achieved |
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More beautiful detail and one which shows something often seen with Ikat pieces--the slight blurring of the borders between the colors, an effect of the dying process |
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| An entire Ikat garment |
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| And an exquisite leaf that we saw near the market |
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| And another leaf on the same tree |
After walking through a very good farmer’s market on the GW campus (and buying some goodies) Glenna suggested that we go to the Cathedral of the National Shrine of the Immaculate Conception on the Catholic University campus. She had never been there, and I wasn’t sure whether I had or not. It is quite beautiful.
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Front of the National Shrine of the Immaculate Conception |
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| Alcove above the entrance |
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It was late afternoon, and the sun shining through the stained glass window on the west side produced this effect on the east side pillar. As is so often the case, I didn't spot this but Glenna did. She just has a photographer's eye. |
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| The ceiling of the dome |
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| And some nice stained glass windows |
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| Lots of round arches |
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| View of the nave from the back |
Thursday. This day was Glenna’s day to visit museum professionals at the National Gallery of Art and elsewhere, so I was on my own. I first went to the National Museum of Women in the Arts housed in a former Masonic Temple to see a textile exhibit, Myth from Matter, featuring the works of Suchitra Mattai. She is Guyanese but her family came from India a few generations ago, and it is this culture that most influences her work. As an artist she wants to celebrate brown peoples who for so long were not valued by the Western world. Her works often involve taking some object (such as an old tapestry or a sculpture) and adding threads or objects to emphasize or cover aspects of the original. She also sometimes embroiders over the white faces to make them browner. She uses bold colors, often wrapped saris, as well as beads and embroidery floss. The effect is striking. I was fascinated by this exhibit and rated it as my favorite of the trip. |
| Large piece that opened the exhibit |
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Detail of that piece that shows the sewn-together wrapped sari lengths that compose it |
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An example of her technique of using an old tapestry and highlighting aspects of it by embroidery floss and beads |
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Wrapped figures and rug, all made with sari lengths |
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| Detail of another tapestry highlighted with beads and floss and chains |
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| Another wrapped figure |
Next stop was the National Building Museum where I saw several exhibits: Frank Lloyd Wright’s Southwestern Pennsylvania, Capital Brutalism, Building Stories, Brick City, Mini Memories and House and Home, each small but interesting. |
| Inner courtyard of the National Building Museum |
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Photo of Frank Lloyd Wright's plan for a Pittsburgh arena and parking building that was never realized |
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| Closeup of the parking building |
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| Lego model of London's St Pancras Station |
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Lego model of a riad in Marrakesh Morocco. Glenna and I stayed in a couple of places like this--quite luxurious |
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| Cutaway showing construction materials used in a green building |
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The blocked off Pennsylvania Avenue and the Capitol beyond |
The last museum of the day was the National Gallery of Art. I knew Glenna was there but didn’t attempt to see her because I knew she was busy. As it turns out she had a few minutes between appointments and stepped into the same exhibit I had just entered. She heard me cough and knew I was there. (I had had a cough for 3 weeks at that point, so she heard plenty of it.)
The exhibit I was there to see was Paris 1874: The Impressionist Moment, a celebration in honor of the 150th anniversary of its staging. All the pieces in the exhibit were exhibited at the legendary 1874 Paris Exposition, the first show of impressionistic works, or the long-running Salon which accepted only more traditional works of art. This show contrasted Salon works with what were labeled Societe Anonyme (anonymous society) works to show the abrupt change that was coming—subdued palette, dark tones, clear outlines, message pictures vs bright, luminous, color-filled images with blurred edges painted for the pure beauty of them. Impressionism has always appealed to me, perhaps because some degree of interpretation is left up to you. And, of course, I love the color.
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| Renoir's The Dancer in the Societe Anonyme exhibition |
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Manet's The Railway in the Salon exhibition. Manet is considered to be an important transitional figure from Realism to Impressionism |
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Renoir's Mixed Flowers in an Earthenware Pot in the Societe Anonyme exhibition |
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| Morisot's The Cradle (Societe Anonyme) |
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DeNittis' In the Wheat Field (clearly SA-type but exhibited at The Salon) |
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| Daubigny's The Fields in June (Salon) |
Friday. This was going-home day but not until late afternoon. First thing was Glenna’s interview at the Reagan building for her global entry card. When we were almost there, she realized that she had left her passport in her luggage at the hotel. She ubered back to get it and actually was only a few minutes late for her appointment. She got asked more questions than Rita and I did when we got back from a trip last year and had our pictures taken for the card and that was about it.
One of the newer museums in DC is the National Museum of African American History and Culture which opened in 2016 on a space at 14th and Constitution. Neither of us had been there, so Glenna got us tickets. It is well done and quite effective in its message. And I like the look of the museum also.
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It was a gloomy day and the building is dark, but you can see its shape anyway |
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| A better look at the exterior with the Washington Monument behind |
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Here from the inside you can see the beautiful lattice-work exterior |
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| Glenna going down the escalator in the cavernous building |
You begin at the bottom learning the history of the slave trade from Africa. It is definitely multi-media as most museums are today. You are bombarded with sensations, voices, images. Sometimes that can be too much and you feel as if you can’t take it all in; I didn’t have that feeling here.
As you ascend, the years roll by through the Civil War and its aftermath, the Jim Crow era, the Civil Rights movement until you get to the top floor where there is exhibit after exhibit on 20th and 21st century black cultural influences. I was struck by the sheer number of people and groups who gained recognition and popularity, particularly in the field of music.
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A panel on the importance of sugar in the slave trade, something which I hadn't remembered |
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A diagram of a slave ship showing how tightly they were packed in. Many died on the trip. |
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Panel about the voyage. The strength of the human spirit was probably the main theme of the whole museum. |
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| Interesting commentary on the evolving view of groups |
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| Freedom, of course, is another theme of the museum |
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The Declaration of Independence is prominent on a wall that can be seen on most levels. The museum emphasizes the irony of its words. |
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| Photograph of a march for rights |
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| Exhibit showing artifacts of stereotyping |
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| The two points of view about the best way forward |
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| Rosa Parks, one of the icons of the struggle |
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| Sign saying Whites Only Section on a train |
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| The conundrum facing the civil rights movement |
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| Changing images of blackness |
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Hard to read quote from Eleanor Holmes Norton so I will repeat it because I think it makes an important point, one that has come up in our society recently: "I have not been animated in my life to fight against racism and sexism simply because of my own identity. That would mean that one must be South African to fight apartheid, or a poor white in Appalachia to fight poverty, or Jewish to fight anti-semitism."
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Photo of Obama's inauguration. I was way out by the Washington Monument on that frigid day. |
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| One of the beautiful quotes from Martin Luther King Jr |
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There were extensive exhibits on the influence of black culture on general American culture, particularly in the field of music |
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I thought this quote from Frederick Douglas on a tote bag in the gift shop was profound |
That was the trip. We retrieved our luggage and metro-ed to Reagan. After lunch we went to our separate flights. It’s always hard to leave my child.
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